Author Archives: Wilson Santos

Art is Not in The Product

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Djembe

Bill has been on the block since Vietnam, and has seen it go from White to Brown. He grew up across town, in a one-bedroom with his mother, when Bergenline was still Italian. He saw the first wave of Cubans come in the late 60’s, and felt right away this meant trouble. He watched as the Marielitas turned the town Brown in the 80’s, while the Italian exodus moved west to the burbs along route 3, where it was still White. But Bill refused to leave. He was a Veteran and the only thing he knew how to do was to stay and fight for what was his. At least that’s what he likes to tell people. Read the rest of this entry

Certain Choices: The Car Accident I Can Still Write About

It was 10:30am on Election Day. I had just responded to a facebook status where several friends debated my decision to withhold my vote, in protest of what I think is the flawed two party system; because the lack of choices voters have, basically represent an illusion of democracy, and not the real thing. All our lives we’ve been told that we must vote because our vote is our voice and people fought and died to give us this privilege and to refuse a vote is disrespectful to their struggle. This argument has been repeated so much, that we’ve internalized the concept that, patriots vote, and anyone who doesn’t, must be a “moron” or an “idiot.” Read the rest of this entry

Reading fiction at the Literature Lives event – 10/24/12

Film Screening – Requiem for a Dream

Machetes and Machismo

The first thing I noticed, besides the dry, cracked paint pealing off the walls, was the penetrating stench and how quickly it hit me, like a wall of thick and humid, almost visible stink, racing into my nostrils and irritating my eyes. Right away, I thought, “What the fuck? Couldn’t they at least clean this place up or find a better funeral home for my father?” Read the rest of this entry

Justice is only justice…

Don’t spend too much time trying…

Chess is not always about winning…

Baraka with a Movie Camera: From City Symphony to Global Symphony

*This essay was originally written for a Graduate writing class on December 14, 2010.

At first glance, it would appear that a comparison of Ron Fricke’s Baraka and Dziga Vertov’s Man With a Movie Camera is an unfair juxtaposition since the political and ideological messages of the two films vastly differ in both message and cultural sympathies. Man is a city symphony focused on a localized Soviet city of 1929. It celebrates socialism, modernity, industry and labor, while encouraging humanity’s coexistence with machine. Baraka on the other hand is a global symphony that celebrates humanism and spirituality. With its “one world”message, the film romanticizes nature while chastising modernity and society’s obsession with a destructive global-industrial consumerist culture. However, despite these thematic differences, there are many instances of overlap and parallel filmic moments the two films share in common, more specifically, their use of technological cinematic elements, poetic structure and experiment in pure montage that push filmmaking to limits beyond the classical Hollywood narrative composition that has long dominated world cinema. Read the rest of this entry