Blog Archives

NYU Student Films (1994)

This collection of student films was originally shot on 16mm B&W stock in 1994, during a 6 week intensive film course at New York University, Tisch School of the Arts where Wilson Santos studied. After years of lugging a green rucksack full of these old film reels from apartment to apartment, Santos finally rescued them from oblivion, projected them on a screen and re-shot them using a Canon T2i. Although Santos hasn’t produced another film since then, choosing instead to write, produce music, design, study and educate, looking at these shorts and now working as a professor at Full Sail University has inspired Santos to grab a camera and start shooting again. Let’s see what 2013 brings.

*All films were written, directed, produced, and edited by Santos at NYU, 1994.

The Conga Man – 1994

The Conga Man is Wilson Santos. The Wife is Tina. The Daughter is Tina Lanne.


The Chase – 1994

The Thief is Danny Gomez. The little girl is Tina Lanne.


Mary The Widow – 1994

The Murderer is Danny Gomez. The Widow is Mary.


Rain Drops – 1994

Montage of images in Greenwich Village near NYU on a rainy day.

Who is an Artist? (2013)

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you are, who sees beauty in a leper’s face
when no one else will even glance
you who in moments of shame, still smile
because “life ain’t that serious,” you say
who at night sits in silence to hear the moon’s whisper,
because inspiration is born in those words Read the rest of this entry

Dance Floor (1998)

Feeling the rapture of a thousand intoxicated eyes,
Seething laser-like through the hysteria,
Seething through the perfumed oneness of our breaths.
This is the cosmos of mental instrumentation,
Of mental hallucination,
Of surreal feelings like floating through
Violet colored Nebula; Read the rest of this entry

Sexualizing Clogged Pipes? Really?

Sex Sells. We all know that. Marketers know that. Everyday, we’re bombarded by sexual undertones and overt sexual imagery on TV commercials, billboards, print and online ads. This is not new. As a society, we are addicted to sex and sexuality. We consume porn like we consume food. Even with a plethora of free Internet porn, the industry is still a thriving multibillion-dollar industry. Why are we so obsessed with sex? Read the rest of this entry

You Come Singing (2011)

As the tenderness
of my once thriving heart
drowns in an arid abyss of reason
here you come singing –
singing your songs of love
songs of unbridled passion
songs like the songs of my Muse
songs soaring above sorrow
stimulating surreal sensations
swaying sweet serenades in my spirit Read the rest of this entry

Art is Not in The Product

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Justice is only justice…

Don’t spend too much time trying…

Chess is not always about winning…

Baraka with a Movie Camera: From City Symphony to Global Symphony

*This essay was originally written for a Graduate writing class on December 14, 2010.

At first glance, it would appear that a comparison of Ron Fricke’s Baraka and Dziga Vertov’s Man With a Movie Camera is an unfair juxtaposition since the political and ideological messages of the two films vastly differ in both message and cultural sympathies. Man is a city symphony focused on a localized Soviet city of 1929. It celebrates socialism, modernity, industry and labor, while encouraging humanity’s coexistence with machine. Baraka on the other hand is a global symphony that celebrates humanism and spirituality. With its “one world”message, the film romanticizes nature while chastising modernity and society’s obsession with a destructive global-industrial consumerist culture. However, despite these thematic differences, there are many instances of overlap and parallel filmic moments the two films share in common, more specifically, their use of technological cinematic elements, poetic structure and experiment in pure montage that push filmmaking to limits beyond the classical Hollywood narrative composition that has long dominated world cinema. Read the rest of this entry