Blog Archives
Why I didn’t Vote and Why I Won’t “STFU.”

Around midnight on Election night, I was starting to feel bad for not voting. As I saw the direction the count was going in and Florida turning red, I felt a sense of unease that maybe I should’ve done my part. By 1am, the writing was on the map, and it was clear that Trump was going to win. I almost vomited. Then I reflected on the reason I didn’t vote in the first place, looked closely at the two choices forced on us, and quickly went to bed. By the time I got up in the morning, those feelings had washed off because I knew I was not the cause of her defeat. That morning on social media, many angry and bitter Clinton supporters were hurling insults at people like me for not voting, telling us it was our fault and we can’t say shit and can’t complain about Trump cause we let him win and we need to “STFU” and don’t say a fucking word about it. Like, really mad. Like, “I’ll punch you in the face” mad, as if people like me are ignorant and don’t know a damn thing about politics and only complain when shit goes wrong. But the issue is much bigger than my vote, or any third party voters. To understand why I stood home on election night, along with millions of other Americans, we need to address the root of our disenfranchisement, and listen, because we won’t shut the fuck up. Read the rest of this entry
what can i say about paris?
what can I say about paris
that hasn’t already been said?
on this day of mourning
more than 120 killed
should I call for a collective prayer?
that’s been done millions of times
on your facebooks and your twitters
and your instagrams.
I could post the french flag
over my profile picture.
but that too has been done. Read the rest of this entry
Salem News Review of My Verse – 2014
‘My Verse’ by Prof. Wilson Santos: Giving a Voice to the Voiceless
Agron Belica Salem-News.com
(ORLANDO) – Jamal Belica of Aldin Entertainment Music Group has brought a very moving video to the attention of the Salem News. While working on his own projects to spread the word for a better world he came across “My Verse” by Prof. Wilson Santos of Full Sail University that speaks of the pathos of the deprived, especially the children. Though it is hard-hitting and graphic and not for the squeamish, he found it so motivational that he knew he had to share it with others and he had me take a look at it.
I, too, found it moving and at times gut wrenching. Both the words and the images shake our complacency, revealing a side of the human condition that we would rather not be privy to. But it is there; poverty, homelessness, the chaos of war and oppression are there, lurking behind the façade of so-called civilized society. Most painful of all are the scenes of suffering and exploited innocent children. It makes one question the social priorities of our leaders.
Read the full article here > http://www.salem-news.com/articles/april042014/santos-film-ls.php
My Verse – a visual spoken word
http://www.youtube.com/watch?v=jkrDE5oYjRs&noredirect=1
today I write my verse
not because I want to
but because I have to
I write my verse to
give voice to the voiceless
to give sound to the silence around
to make light out of dark
to bring peace out of war
and squeeze water from oil and blood
and so,
I write my verse
compelled to write words
that might right all the wrong
that’s been done all along
through me
words
must be written
must speak for the children
for those who can’t stand
on their own
like twelve-year-old Eduardiño and
his favela boys who sleep
under bridges and tunnels
and call the streets their homes
who steal meat just to eat
or sell drugs for the thugs with
with no mother’s arms to hold
Eduardiño, who’s 9mil glock
locks and jams
as he pulls the trigger
the Swedish tourist shivers
but that’s just life in Rio
for skinny Eduardiño
my verse is for Malai in Bangkok
so cute, so fresh
so ruined
at only ten, she sells her assets
for a toothless street pimp
who promises pure puntang to
fat-bellied, gray haired Americans
but her pickings ain’t pure at all
this ain’t Malai’s first rodeo
she’s been riding the bull since long ago
her heart weighs more than rocks and blocks
cause there’s a reason they call it Bang-kok
I write for nine-year-old Dharani
who, instead of learning to read and write
wakes at 4am to struggle and fight
to scavange the Dhapa dumping grounds
of Calcutta
in discarded filth with her mother
digging for food, plastics, metals
anything of value she can peddle
knee deep in middle class trash
what use in books and math?
when the urgency of now is pressing
to look upon her is depressing
but she smiles, she smiles,
she smiles
inspiring my words for miles
these lines are for Michel,
whose muddied seven-year-old hands
tirelessly mix salt with oil and sand
twisting mud pies for his mother
with grandma, sister and brother
to sell for five cents a piece
in Cité Soleil market streets
but Michel’s mud pies
are not mud pies
like Carlo’s in Hoboken
his soul is nearly broken
his food from Haitian soil
I pay homage to his toil
cause eating earth is perverse
but still I write my verse
to try and nourish his dirt
Oh, these odes I write for Ashanti
no not the million-dollar pop star
but the nine-year-old malnutrition
who’s bruised and scarred
her fragile feet all charred
she’s been walking thirty days
across famined deserts in a daze
Ethiopia has gone dry
and no one really knows why
ten days ago
her two year old
brother Alem
was left behind
to dry and crack
like desert sand, his broken back
scorched by the sun and
treacherous heat
wasting away
just like Ashanti
and like 30,000 other children
no one even tried to save them
and so for them I write this poem
I write for the American silent majority
for those that know but won’t say anything
for those that say something but don’t know
the complacent
the complicit
the conspirator
my verse is for those
who’ve been silenced by default
who won’t use their voices
who can’t
who don’t
who shouldn’t
who should
I write my verse for truth and justice
it gives rise to those who once have spoken
it resurrects those leaders long gone
this verse hails their dead voices
invokes echoes of ghosts like
King and Malcolm
Mandela seraphim, Mahatma Gandhi still starving,
Harriet Tubman, Sojourner Truth, Frederick Douglass
Rosa Parks jumping off the bus
cause she just can’t take the ride anymore
I can’t take it anymore
so I write it down
right here
not for myself
but to myself
because all I do is write
and all you do is listen.
Read the rest of this entry NYU Student Films (1994)
This collection of student films was originally shot on 16mm B&W stock in 1994, during a 6 week intensive film course at New York University, Tisch School of the Arts where Wilson Santos studied. After years of lugging a green rucksack full of these old film reels from apartment to apartment, Santos finally rescued them from oblivion, projected them on a screen and re-shot them using a Canon T2i. Although Santos hasn’t produced another film since then, choosing instead to write, produce music, design, study and educate, looking at these shorts and now working as a professor at Full Sail University has inspired Santos to grab a camera and start shooting again. Let’s see what 2013 brings.
*All films were written, directed, produced, and edited by Santos at NYU, 1994.
The Conga Man – 1994
The Conga Man is Wilson Santos. The Wife is Tina. The Daughter is Tina Lanne.
—
The Chase – 1994
The Thief is Danny Gomez. The little girl is Tina Lanne.
—
Mary The Widow – 1994
The Murderer is Danny Gomez. The Widow is Mary.
—
Rain Drops – 1994
Montage of images in Greenwich Village near NYU on a rainy day.
Sexualizing Clogged Pipes? Really?
Sex Sells. We all know that. Marketers know that. Everyday, we’re bombarded by sexual undertones and overt sexual imagery on TV commercials, billboards, print and online ads. This is not new. As a society, we are addicted to sex and sexuality. We consume porn like we consume food. Even with a plethora of free Internet porn, the industry is still a thriving multibillion-dollar industry. Why are we so obsessed with sex? Read the rest of this entry

