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A rose petal falls on blades of grass and crumbles beneath the weight of heartbreak.
A white feather withers and drifts in a tempest of emotion, crushed by fate.
A tear slides down cheek, floats to the ground, evaporates into nothingness before contact.
A heart flutters and stalls to the sound of emptiness in time and space.
A life ascends to omnipotent space, floats through nebula, in limbo for eternal existence.
A mind sees all the above and grounds disorder in philosophical embrace.
A thought moves passion forward, past despair, to lighted realms like clouds of cotton.
A beat opens like rose petals to release ecstasy in reckless abandon.
A karma transcends trivial destiny to challenge what is said to be for what can be.
A life completes cycles of emotional journeys to find itself back in the embrace of a mother’s womb.
This is for the feelers
The stealers
The drug dealers
The muthafuckin dope feigners
The healers
The freakers
Runnin round naked like a streaker Read the rest of this entry
I remember what my father told me:
There’s only one thing I’ll take with me,
all my women and their memories
But I knew he’d take more than just that. Read the rest of this entry
We tug and pull each other
There’s never rest between
The ropes we pull are bruising
Sometimes they make us mean Read the rest of this entry
http://www.youtube.com/watch?v=jkrDE5oYjRs&noredirect=1
today I write my verse
not because I want to
but because I have to
I write my verse to
give voice to the voiceless
to give sound to the silence around
to make light out of dark
to bring peace out of war
and squeeze water from oil and blood
and so,
I write my verse
compelled to write words
that might right all the wrong
that’s been done all along
through me
words
must be written
must speak for the children
for those who can’t stand
on their own
like twelve-year-old Eduardiño and
his favela boys who sleep
under bridges and tunnels
and call the streets their homes
who steal meat just to eat
or sell drugs for the thugs with
with no mother’s arms to hold
Eduardiño, who’s 9mil glock
locks and jams
as he pulls the trigger
the Swedish tourist shivers
but that’s just life in Rio
for skinny Eduardiño
my verse is for Malai in Bangkok
so cute, so fresh
so ruined
at only ten, she sells her assets
for a toothless street pimp
who promises pure puntang to
fat-bellied, gray haired Americans
but her pickings ain’t pure at all
this ain’t Malai’s first rodeo
she’s been riding the bull since long ago
her heart weighs more than rocks and blocks
cause there’s a reason they call it Bang-kok
I write for nine-year-old Dharani
who, instead of learning to read and write
wakes at 4am to struggle and fight
to scavange the Dhapa dumping grounds
of Calcutta
in discarded filth with her mother
digging for food, plastics, metals
anything of value she can peddle
knee deep in middle class trash
what use in books and math?
when the urgency of now is pressing
to look upon her is depressing
but she smiles, she smiles,
she smiles
inspiring my words for miles
these lines are for Michel,
whose muddied seven-year-old hands
tirelessly mix salt with oil and sand
twisting mud pies for his mother
with grandma, sister and brother
to sell for five cents a piece
in Cité Soleil market streets
but Michel’s mud pies
are not mud pies
like Carlo’s in Hoboken
his soul is nearly broken
his food from Haitian soil
I pay homage to his toil
cause eating earth is perverse
but still I write my verse
to try and nourish his dirt
Oh, these odes I write for Ashanti
no not the million-dollar pop star
but the nine-year-old malnutrition
who’s bruised and scarred
her fragile feet all charred
she’s been walking thirty days
across famined deserts in a daze
Ethiopia has gone dry
and no one really knows why
ten days ago
her two year old
brother Alem
was left behind
to dry and crack
like desert sand, his broken back
scorched by the sun and
treacherous heat
wasting away
just like Ashanti
and like 30,000 other children
no one even tried to save them
and so for them I write this poem
I write for the American silent majority
for those that know but won’t say anything
for those that say something but don’t know
the complacent
the complicit
the conspirator
my verse is for those
who’ve been silenced by default
who won’t use their voices
who can’t
who don’t
who shouldn’t
who should
I write my verse for truth and justice
it gives rise to those who once have spoken
it resurrects those leaders long gone
this verse hails their dead voices
invokes echoes of ghosts like
King and Malcolm
Mandela seraphim, Mahatma Gandhi still starving,
Harriet Tubman, Sojourner Truth, Frederick Douglass
Rosa Parks jumping off the bus
cause she just can’t take the ride anymore
I can’t take it anymore
so I write it down
right here
not for myself
but to myself
because all I do is write
and all you do is listen.
Read the rest of this entry A typical Dominican road trip from Santo Domingo to Bavaro and back. The image quality sucks since this was shot with a cheap 3meg digital camera, but you get the idea. I could’ve used some Bachata as background music, but this is done as a visual homage to Jack Kerouac’s “On the Road” and Kerouac didn’t listen to Bachata. Coltrane and Miles seemed more appropriate.
Shot and edited by Wilson Santos using a cheap 3meg camera. This video captures a typical summer weekend in central park, the heart and soul of New York City, with dancers, drummers, skaters and lovers. The track is titled “Love Song” by Nadirah Shakoor. The footage was rescued from an old hard drive that was about to be trashed.

My love for you is burnin
Like Paris is burnin
New York burnin
New hope burnin
Flowers are burnin
Life is burnin Read the rest of this entry